RZt
RZt
Season 2023/24
Season 2022/23
Schwärmen Directed by: Kirsten Burger
EIN SPORTSTÜCK Directed by: Höhne, Glanz, Kuhlmann, Rieck, Strassenberg, Witt
Billy Backe Directed by: Jorinde Dröse
Anwälte der Natur Directed by: Frank Raddatz
Einer flog über das Kuckucksnest Directed by: Leander Haußmann
Season 2021/22
The Rats (Die Ratten) Directed by: Lilja Rupprecht
Golem Directed by: Jacob Höhne
Mujer Directed by: Sara Lu
Season 2020/21
hoffnung#dasdingmitfedern Directed by: Sandra Rasch
Geh, Fühle! - Tanztheater Directed by: Sandra Rasch/Oana Cirpanu
Der  Drache Directed by: Matthias Mosbach
Season 2019/20
Hi Freaks VI Directed by: div.
Hi Freaks V Directed by: div.
Lulu Directed by: Jacob Höhne
Season 2018/19
frankenstein 
#createyourown
Directed by: Sandra Rasch
ghostdance Directed by: Andreas Spechtl & Thomas Köck
Don Juan Directed by: Konrad Wolf
Antigone Directed by: Lilja Rupprecht
Hi Freaks I-IV Directed by: div.
Heroes Directed by: Sara Lu, Rubén Nsue
Rausch Royal Directed by: Jacob Höhne
Noises Off! (Der nackte Wahnsinn) Directed by: Jacob Höhne
Season 2017/18
Dekameron Directed by: Thomas Bo Nilsson, Julian Wolf Eicke
Moby Dick Directed by: Jacob Höhne
Die Frauen vom Meer Directed by: Lilja Rupprecht
Die Nibelungen Directed by: Jonas Sippel
Die Räuber Directed by: Jacob Höhne
Pension Schöller Directed by: Jacob Höhne
Season 2016/17
Schwestern Directed by: Jacob Höhne
König UBU featuring Craque Directed by: Jacob Höhne
DADA Divas Directed by: Gisela Höhne
Der gute Mensch von Downtown Directed by: Gisela Höhne
Philoktet Directed by: Jacob Höhne
Newsletter
RambaZamba Theater Schönhauser Allee 36–39 10435 Berlin
info@rambazamba-theater.de +49 (0)30 585836700
© 2024
With Christian Behrend, Friedrich-Ferdinand Dambeck, Juliana Götze, Sascha Perthel, Fridolin Sandmeyer, Rebecca Sickmüller, Jonas Sippel
Live-Musik Heiko Fechner, Philipp Rohmer
Stage design Holger Pohl Costume design Victoria Behr Music Philipp Rohmer Dramaturgy Juliane Koepp Assistant director Vicki Steinmüller

A group of people are living in a run-down hotel. In addition to the hotel’s manager, Strasser, who has resigned his officer’s commission, these are Max the waiter, Karl the chauffeur, and Baroness Ada Freifrau von Stetten. With the exception of the Baroness, all of them are bankrupt and haven’t been paying for their rooms for some time now. In fact, the hotel’s manager, staff, and guests all get by with a variety of illegal schemes. This lazy and lethargic group is thrown into turmoil when Christine suddenly arrives without warning. She is looking for Strasser, who is her ex-lover and the father of her child. The men in the hotel take Strasser’s side against Christine and only stop scheming against the young mother when they find out that she is actually a wealthy woman due to an unexpected inheritance. They then begin to compete for Christine’s affection in an absurd power struggle.    

This comedy from 1926, in which everyone only looks after themselves, is a satire about a society that is heading toward its downfall in a time marked by ever-growing economic conflicts. Questions  about God and money, as well as an eerie longing for the (re)emergence of a nationalist German society, make this play more relevant than ever today.